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Patricia Hampl on what makes a memoirist
“My fundamental instinct remains a sense of wonder, a luminous amazement at existence”Issue 75
Leslie Jamison on the usefulness of cliché
“When experiences are common—universal, even—you can still find language for them that illuminates them in a new way”Issue 75
Sheri Fink on blending science and narrative
"I feel like I bring that same investigative approach that I did to the lab to investigative journalism."Issue 75
Elizabeth Kolbert on the terror of being at the mercy of events
“Telling people what to do is beyond my purview. My obligation is to report on what is”Issue 75
Dave Eggers on the importance of talking to strangers
"I interview the driver every time I get in a taxi, and it always yields interesting results"Issue 75
Roxy and the Worm Box
“Are you ready to get your hands dirty?” she asked, pointing to my little gold rings. I pulled them off and stuck them in my pocket. I forced a smile, breathing through my mouth, and nodded yes. Roxy was all long legs, long hair, long everything. She was a Dutch-descended marine biologist from Curaçao, a studier of corals, an avid gardener, and a barefoot hike enthusiast.Last Call
Kira Compton learns how to write outside of a barIssue 69
Creativity on Tap
Sheila Regan conducts a not-very-scientific investigation into the effects of drugs on writingIssue 69
The Great Bear Run
On the morning of the Great Bear Run, a race held every spring in our Boston suburb, my son rolled around on my bed, near tears. “I can’t do it,” he said.Help Wanted: Radium Dial Painters
You will glow. How many other employers could promise this? You will paint light, taste light, swallow light. We will teach you to shape the paintbrushes with your lips, like the china painters before you.
