Eureka! Science Writing for General AudiencesView Course
Gain writing and research skills—everything from general literary techniques to interviewing and fact-checking—that will help you craft engaging nonfiction about scientific discovery, research, and policy.
In this class you’ll take a close look at the writing and research skills needed to craft engaging nonfiction about scientific discovery, research, and policy, and practice them over the course of five weeks. You’ll discuss how literary elements such as scene, character development, and narrative can bring scientific topics alive for general readers, as well as how to document research and interviews to prepare for the fact-checking process. You will complete one essay, and will also be given optional short exercises that can later be incorporated into longer pieces. You will also discuss how to identify and query markets for science-based nonfiction and receive personal feedback on your work from the instructor and peers.
How it works:
Each week provides:
- discussions of assigned readings and other general writing topics with peers and the instructor
- written lectures and a selection of readings
Some weeks also include:
- writing prompts and/or assignments
- opportunities to submit a full-length essay or essays for instructor and/or peer review (up to 3,500 words)
- an optional video conference that is open to all students (and which will be available afterward as a recording for those who cannot participate)
Aside from the live conference, there is no need to be online at any particular time of day. To create a better classroom experience for all, you are expected to participate weekly in class discussions to receive instructor feedback on your work.
WEEK 1: THE HOWS AND WHYS OF GREAT WRITING ABOUT SCIENCE
In this first week, you’ll look at the current landscape of science writing opportunities and discuss the need for exciting, accurate writing about scientific research and discovery. You’ll look at examples of writing that seeks to be (or has proven to be) policy-changing. You’ll also discuss some practicalities, such as ways of recording and note-keeping that can make the fact-checking process go more smoothly. You will have an optional writing exercise of up to 500 words.
WEEK 2: SCENES AND CHARACTERS: FINDING A WAY INTO THE STORY
What if you weren’t there when the eureka moment happened? What if the eureka moment is months or years away? This week you will look at how to bring research alive on the page—even if it seems static in the lab—by learning note-taking and interviewing techniques that will help with writing three-dimensional actors and putting them into realistic spaces. You will write a draft of part of your essay (up to 750 words) and submit it to the instructor. Optionally, this exercise can also be shared with classmates for peer reviews.
WEEK 3: LIGHTS, CAMERA, ACTION! FINDING SCENES WITHIN RESEARCH
This week you will put yourself in the shoes of a brand new science writer (regardless of your scientific expertise) and hit the metaphorical pavement. You will talk about how to find newsworthy stories about research and track down experts who can help. You’ll address questions such as how to ask for an interview if you haven’t sold the story yet, when to write the story first and when to pitch first, and how to be sure your sources are reliable. You will also look at how to find scenes within your work, to get those characters and settings to interact, while maintaining factual accuracy. You will also talk about the pitfalls (and occasional practicalities) of re-creating scenes, speculation, compression, conflation, and compositing. You will have an optional writing exercise of up to 500 words.
WEEK 4: THE BEGINNING, MIDDLE, AND END: FINDING AN ARC
Scientific research is often a very long-term, on-going process. Discoveries and findings are announced intermittently and often with inconclusive or anti-climactic results. How can you find an engaging story within such an unpredictable process? How can you craft relatable stories about inanimate objects, non-human organisms, complex policies, or scientific theory? You will discuss techniques for making large stories small enough to reach a non-expert reader and connecting those small stories back to your larger concepts. You will write an essay of up to 3,500 words that incorporates exercises from the first two weeks (or new writing based on skills practiced during the exercises) and submit it to the instructor.You may also submit work to your classmates for peer review.
WEEK 5: FINDING MARKETS
During this final week, you’ll discuss how to find markets for science-based nonfiction. Which literary publications foster science and nature writing? Which popular markets publish literary coverage from the science frontiers? You will discuss how to query editors and how the revision and fact-checking process works once your piece or project is accepted for publication. You will have an optional writing exercise.