July 11 - August 14, 2022
Often, as nonfiction writers, we start with memories and experiences. But memories are incomplete—and can be inaccurate. For this reason, writers sometimes rely on photographs as a type of evidence or proof. But a photograph is a complicated artifact—an object, an image, a memory touchstone. Drawing on photographs that intrigue, haunt, or prompt forgotten memories, this course explores the rich possibilities of the space between photograph and experience.
This course will offer new approaches for students at all levels—from those looking for inspiration to those working through an ongoing project. Plus, writing from photographs can make the work of starting a piece of writing easier by giving you a concrete moment to describe, reflect, and expand on. Description is both showing and telling, and the process of describing can open up a whole world.
We will look at how writers find stories in photographs and consider how the simplicity of a photo can prompt a variety of writerly paths. Through directed prompts, you will experiment with low-stakes writings inspired by your own photographs.
A photograph is as much about what it captures as what it leaves out. In this second week, students will explore and experiment with turning a self-selected photograph from image to scene. In this process, we will consider the particulars of description, voice, and writerly presence.
Like the focus of a camera lens, a personal essay asks us to make decisions about the details and subject of a piece. In this week, you will explore ways of using focused and nuanced details to expand and give depth to the writing you have been developing.
Moving from image to draft is a process of development and refinement. A draft of the essay will be due this week. We will address how to find the strengths of the essay and approaches to revision in preparation for sharing with the larger group.
The final week offers students a chance for group feedback; insights and ideas from peer readers will provide suggestions for giving the writing a more solid frame and focus. We will also discuss possible publication opportunities for the individual essays as well as tips for pitching a short-form personal essay.
Out of stock
It is not uncommon for classes to fill up before the end of early registration, particularly in the last few days before the deadline. If you know for certain that you wish to take a particular class, we recommend registering early. If you'd like to be added to a waitlist for a sold-out class, please email our director of education, Sharla Yates, at [email protected].
Creative Nonfiction’s online writing classes have helped more than 3,000 writers tell their stories better.
I enjoyed reading other peoples work and getting feedback about my own work– the handouts/video links and class lessons were also very informative and relevantly paced to the give structural guidelines.Catherine O’Neill
I enjoyed reading other peoples work and getting feedback about my own work– the handouts/video links and class lessons were also very informative and relevantly paced to the give structural guidelines.
Replays include ongoing access to the recording and downloadable supplemental materials.
Every true story contains gaps. By imagining our way into these gaps, we can transform our material and our writing experience.
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