Wednesday, December 14th, 2022 @ 2:00 pm - 3:00 pm Eastern
This webinar has been canceled.
The market for creative nonfiction continues to show interest in books that grapple with place and environment, and especially those that combine the personal with an external gaze. Books like H Is for Hawk, Braiding Sweetgrass, The Hidden Life of Trees, Lab Girl, and Underland have found massive readerships among both literary and general audiences by engaging with places near and far and revealing complex textures and connections everywhere.
Writing about place without descending into self-satisfied nostalgia or eco-punditry is a balancing act and art. This webinar offers insight into how to transform perceptions into pages and help readers experience approximations of landscape in your nonfiction.
In this webinar, you will:
There will be time for a Q&A at the end of the presentation.
This webinar is ideal for writers who are just starting out, writers who have written in other genres (fiction, memoir, etc.) or writers just getting their feet into environmental/place-based writing.
All registrants receive a recording.
Out of stock
It is not uncommon for classes to fill up before the end of early registration, particularly in the last few days before the deadline. If you know for certain that you wish to take a particular class, we recommend registering early. If you'd like to be added to a waitlist for a sold-out class, please email our director of education, Sharla Yates, at [email protected].
Creative Nonfiction’s online writing classes have helped more than 3,000 writers tell their stories better.
I enjoyed reading other peoples work and getting feedback about my own work– the handouts/video links and class lessons were also very informative and relevantly paced to the give structural guidelines.Catherine O’Neill
I enjoyed reading other peoples work and getting feedback about my own work– the handouts/video links and class lessons were also very informative and relevantly paced to the give structural guidelines.
Replays include ongoing access to the recording and downloadable supplemental materials.
Every true story contains gaps. By imagining our way into these gaps, we can transform our material and our writing experience.
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